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Prince was a tireless and tenacious crusader against exploitation by record labels, streaming services, ISPs, and Google. But is Prince’s war now dead? Just hours after Prince’s death, Google constructed a massive, search-driven homage to the pop superstar. In the same way that Google celebrates creators like Tesla and crusaders like Harriet Tubman, the search giant neatly assembled everything Prince, including links to his music, information about the singer’s life, and images of the superstar, all with a perfectly-purple backdrop. It was an ironic monument, reminiscent of a band of pioneers naming their town after the Indian chief they just scalped.
Google, after all, was the focus of a massive legal war by Prince, based on their refusal to systematically remove his content. Even now, top searches on Google lead of all manner of illegal Prince content, including, links to, and endless.
Hiiro no kakera season 3. If Prince was still alive, Google’s victory lap would have been viewed as a vulgar, low gesture. In fact, it’s likely that the artist would have spoken out against it. The reason is that Prince felt that Google was massively exploitative towards artists and their music, and worse, used that exploitation to drive up billions in value at the expense of creators. Back in 2007, the pop icon announced legal action against YouTube, based on their systematic abuse of the safe harbor provisions of the Digital Millennium Act, or DMCA, which makes it nearly impossible to remove free, illegal pirated content. Google (and YouTube) have always fired back that it’s impossible to police copyrights on their massive sites.
But that sounds like malarky to content owners and activist artists like Prince, especially since YouTube does a perfect job of removing things they don’t like, including pornography. And, really, really bad stuff like child pornography, which never requires a complicated DMCA takedown process to remove. “Prince strongly believes artists as the creators and owners of their music need to reclaim their art.” YouTube offered a typically condescending response, one that has somehow mollified artists, labels, and publishers for more than a decade. “Most content owners understand that we respect copyrights, we work every day to help them manage their content, and we are developing state-of-the-art tools to let them do that even better,” YouTube chief counsel Zahavah Levine snapped back.
But is YouTube demonstrating respect, or horrible exploitation? The pop legend quickly fired back, asking how all these ‘state-of-the-art’ tools over at YouTube and Google couldn’t figure out how to simply block clearly-infringing uploaders and links to obviously-pirating sites. “The problem is that one can reduce it to zero and then the next day there will be 100 or 500 or whatever,” Prince offered, referring to a statute of the DMCA only requires Google to tear down infringing content, not patrol its re-upload. That means that millions of takedowns are effectively useless, given that millions of tracks are typically re-uploaded the next day. “This carries on ad nauseam at Prince’s expense,” the artist continued. Regardless, Prince waged war on YouTube to scrub the network of his content, which is one of the reasons why Prince’s material is very difficult to find on the platform today.
Unsurprisingly, one of the biggest legal fights on YouTube involved a Prince song, ‘Let’s Go Crazy,’ which was playing in a background of a dancing baby video. The mother of that baby, Stephanie Lenz, fought back on grounds of fair use after the video was ripped down, with Google-powered legal army Electronic Frontier Foundation (EFF) litigating to keep the video alive. In the end, the ‘Lenz Case’ served as a precedent in content fair use, with Prince and Universal Music Group declared the loser. “Prince has suffered and is continuing to suffer damages” But Prince’s war to protect his music went far beyond Google’s borders.