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Georgekutty (Mohanlal) is a cable TV network owner in a remote and hilly village in Kerala. He lives a happy life with his wife and 2 girls.
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The first half revolves around the depiction of their happy family. Anju (Ansiba), Georgekutty's daughter goes to a school trip in between the proceedings. After a few days a guy who had been at the school trip with her meets Anju. He blackmails her with a video of her that he had captured during the school trip. In the course of events he is accidentally killed by Rani (Meena) and Anju.
Georgekutty on returning home is appraised of the events and thus begins a cat and mouse game as the murdered person is the son of IG Geeta Prabhakar (Asha Sharath) and Prabhakar (Siddique). How the family weathers the storm that ensues during the murder investigation forms the rest of the story leading to a deeply satisfying and unexpected climax. Never have I seen here in Mumbai a theater houseful for a Malayalam movie. The last time it was 60% filled was during Neelakasham. Starting with a scene so mystic in its own way, the movie starts with a flashback. Characters are brilliantly paced into the plot as we look into a a family drama scene forming. Things go sharp & spine-chilling when a crime enters the scene.
It is followed by another crime ans so on. The 50 minute second half, which is also the most engaging minutes for any Malayalam cinema this year, steals the show and keeps us on the edge of our seats as the twists come up and up and up. The screenplay is to be thanked, along with brilliant writing and narration. Mohanlal is better in this role than his previous characters this year. His performance really pulls the audience towards him.
Meena was a real treat and boy, can she act so wonderfully. Kalabhavan Shajohn is the real hero of this film which talks about a family's plight & tactic when one of the member's sanity is compromised. His performance, his air, his priceless countenances all are so pure, I was taken aback. He can pull off both comedic & serious roles with finesse. The adult jokes and how the stereotype of a typical family has died in this age of money and money is purely showcased in the dialogs. Sufficient humor, jaw-dropping climax and brilliant storytelling. It also questions justice and what a person should do at times like this.
Although, the plot constantly makes the family look as protagonists in spite of their crimes and falsely guides us what it intends to show us. But if you look closer, you will realize the climax answers all the questions about righteousness. Drishyam does not tell you how to act during brutal crimes, but it finely creates a hell of a story of the vicious happenings around us. Every single department is to be thanked, especially, art, location, lighting departments. The final output is full theater halls, favorable reviews and remake rights requests. BOTTOM LINE: If you haven't watched it yet, now is the time because it is still running in theaters.